The Super Bowl XLVI part-time event took place on February 5, 2012 at Lucas Oil Stadium in Indianapolis, Indiana as part of the Super Bowl XLVI. It features Madonna and LMFAO guests, Nicki Minaj, M.I.A. and CeeLo Green. In 2011, the National Football League (NFL) announced that Madonna will be performing at the Super Bowl XLVI event. The singer collaborated with Cirque du Soleil for the show, in which his old choreographer Jamie King was a music director; King, in turn, listed the Moment Factory multimedia event producer. Madonna performed four songs, starting with "Vogue" in a Roman-Egyptian setting and followed by "Music" with LMFAO. Minaj and M.I.A. joining Madonna for her new single, "Give Me All Your Luvin", and Madonna finishes with Green on "Like a Prayer".
Preparation begins in January, with Madonna saying that the exercise is the most tiring one in which she has ever participated. The costumes were designed by Riccardo Tisci, Givenchy, Miu Miu and Prada. The show requires 500 outfits, including customized costumes for the music guests and helpful players. The production team was given seven minutes to set up the stage, 12 minutes for the show and eight minutes to get off to the stage. The modular structure is assembled from the truck, with a large white cloth in front as a media screen for Moment Factory. Projection mapping is used by the Barco video hardware manufacturer, with a modified movie for viewers and television viewers. The stadium is equipped with Sharpy lighting arrangements from Clay Paky, and the show uses Sennheiser sound equipment.
Madonna is not paid to appear on a part-time event, which gives global exposure to an artist. The show was a success, setting the Super Bowl's part-time show record of 114 million viewers (higher than the gaming audience itself). Keith Caulfield of Billboard reported a 17-fold sales increase for Madonna's back catalog and strong pre-order sales for his upcoming release. Critics praised the show, noting Madonna's careful performance. However, M.I.A. extending his middle finger to the camera near the end of his poem, "Give Me All Your Luvins '" instead of the word "shit". The rapper was criticized, and the NFL apologized for his inability to blur the images. The league then fined M.I.A. $ 16.6 million, settled in a secret agreement of 2014.
Video Super Bowl XLVI halftime show
Sinopsis
Part-time events are broadcast on NBC. It started as a procession to the stage, with men dressed like gladiators pulling out huge structures hidden from the view of large gold-colored flags. When "Vogue" began, the flags were released, showing Madonna in a long gold-colored robe and an ancient Egyptian headdress sitting on a huge throne. The procession reached the stage, and the singer started doing "Vogue". During the chorus, the stadium floor lights up to display the cover of animated magazine Vogue featuring Madonna. When "Vogue" transformed into "Music", two large boom boxes appeared on the ground screens and stadium handholds illuminated with moving lights. Madonna and her dancers move toward the stands. Slacklining player Andy Lewis accompanies the singer, who is dancing on a high pedestal. Madonna pretends to shoot Lewis and move to the end of the stage, where LMFAO sings "Party Rock Anthem" in the game of "Music". They and Madonna dance for "Sexy and I Know It".
"Music" ends with a group of female dancers in a cheerleading uniform who join Madonna on stage to "Give Me All Your Luvins '". Nicki Minaj and M.I.A. joined him on stage, dressed in Egyptian-style outfits, and they danced as cheerleaders with pom-poms. During the song they stand on separate and elevated platforms, where Minaj and M.I.A. doing each verse. CeeLo Green came to the stage with a marching band at the end of the song, and he and Madonna did sections of "Open Your Heart" and "Express Yourself". "Like a Prayer" opened into a dark stadium, with small spots of visible light, and a large black-clad chorus joined Madonna on stage. He reached the top of the bench and sang the last line before being pulled under the stage, surrounded by smoke. The show ends with "Peace of the World" which appears on the land screen with a picture of the continent.
Maps Super Bowl XLVI halftime show
​​â € <â €
According to CBS News, Madonna was asked to perform at the Super Bowl show in the part of 1998 and 2000 but canceled both. In January 2000 she was scheduled to perform her new single, "American Pie", at the Super Bowl XXXV halftime show. However, he resigned from his commitment because of the conflict with his recording schedule. In a statement at the time, Madonna expressed "a sincere apology" to the league and said: "I look forward to the possibility of doing something with the NFL in the future."
At the end of 2011, Madonna is busy with releasing her movie W.E. and by recording a twelfth studio album, MDNA . The singer was rumored to have been signed by the NFL for the Super Bowl show in the first half, and in December the league confirmed that Madonna will be performing at the Super Bowl XLVI show at Lucas Oil Stadium in Indianapolis. The game is scheduled for February 5, 2012, and the organizers continue the practice of inviting global musicians to perform. Artists who previously appeared on the show include Black Eyed Peas, Bruce Springsteen, Rolling Stones, Who, Tom Petty and Heartbreakers, U2, Paul McCartney and Prince. This event coincided with the release of W.E. in the United States.
Madonna collaborated with Cirque du Soleil to produce the show, and his old choreographer Jamie King is his music director. King advised to rent the Moment Factory. The production studio, which once worked on the Las Vegas residency event at Celine Dion, specializes in multimedia effects. Jacques Methe, executive producer of Cirque du Soleil for a special occasion, said "contributing to the creative process that will lead to the creation of this very special moment... For us, this is an exciting opportunity, it's not something we do." very often, working with other stars. "According to Methe, Cirque du Soleil is involved with the creative side of the halftime show and its logistical challenges.The previous circus has put together a nine-minute pregame event at the Super Bowl 2007." Our work has largely been done to help zoom in and creating an environment for artists, "said Moment Factory executive producer Eric Fournier, quoting the show in which the studio has used lighting and video projection for special effects.
Development
Exercise
The exercise begins in January 2012 at the New York studio, and lasts for 12 hours. Rappers Nicki Minaj and MIA, who have collaborated in the single Madonna "Give Me All Your Luvin " ", say that rehearsal is" the most exhausting thing they have ever done and did not expect anything else, as an 'epic learning experience ' ". Minaj confirmed his appearance on the show with Twitter messages, and rapper will.i.am confirmed that American electronics dance group LMFAO will also join Madonna for the event.
According to the Los Angeles Times, the NFL has been shyly revealing the list of event sets in its magazine: "Although Madonna's list of sets is not officially announced at press time, fans may expect him to give all of his luvin, giving rays of light and become fashionable with his music ". Before the show, Madonna expressed concern about the physical limitations and timing of the event. "I had eight minutes to set up my stage, 12 minutes to show the biggest show on Earth, and I had seven minutes to lower it, so the soccer field was clean for the second half of the game," he said.. "How do you do it? This is a Midwesterner girl dreaming to perform at Super Bowl half-time performances.In more than 25 years doing what I do, I have never worked so hard or so meticulous or detail- oriented or panicked." has 100 drummer down from the ceiling of the stadium canceled, because the structure can not support the weight.
Mode
Madonna has promised that there will be no wardrobe damage during the show, which alludes to the controversy surrounding Janet Jackson's appearance in the Super Bowl XXXVIII show at halftime. The theme of Madonna's fashion show is the Roman Empire, with gladiatorial influences combined with modern Roman elements. Costume designer B. Akerlund creates a dress, which takes over three months. Akerlund asks other designers to contribute to the costumes, including Givenchy haute couture , boots by Miu Miu and earrings by Bvlgari. She works closely with Madonna, who is involved with details including the gladiator costume event. According to Akerlund:
This is the biggest challenge I have ever taken in my career, and I can not feel more honored to be part of such an extraordinary and historic event. No one can approach working with Madonna in this Super Bowl show, her attention to detail and commitment to all her projects is truly inspiring and life-changing.
Madonna's first dress was black, with a gold-plated overskirt designed by Riccardo Tisci for Givenchy. The singer wore heavy jewelry, long blond hair and waved strong, with diamond earrings by Bvlgari. The first costume also has a gold-sequined cloak with a tiger-patterned chiffon and Philip Treacy's headgear. To "Give Me All Your Luvins '", Madonna, Minaj, and M.I.A. wearing a red-and-black cheerleading dress and carrying gold-colored pom-poms. The singer wore a long-sleeved black dress over a short black dress for her last appearance. Riccardo Tisci says that he has made all the clothes, gloves, belts, hats and underwear Madonna. He has 28 choices for singers, who decide on golden robes. Although Tisci and his team have designed a shorter version of the robe, they have to do it again for the singer. The show features 500 suits tailored for LMFAO, Minaj, M.I.A., Green, 100 drumline players, 150 gladiators (wearing black Calvin Klein underwear) and 200 choir singers.
Settings stage
1,500 crew members were given seven minutes to set up the stage, with Torrence All Access Staging and Productions based in California dealing with the required equipment. Erik Eastland from the company, who oversees the arrangement, has been associated with the Grammy Awards and Daytime Emmy Awards. About 70 percent of workers are volunteers who undergo six-month screening, and the rest are vendor-level employees. The main stage is 120 feet (36.6 m) long and modular, assembled in a segment of six large trucks. The crew also arranges lighting, video, special effects, and audio equipment.
The challenge may come from working out within the elements. It can be 50 degrees when we practice and 50 below on match day, we work under the pretext that we can do this in the snow or rain... In a normal indoor environment, we have seven minutes to put the stage up and get the camera ready. It can be stretched for up to nine minutes. This is the same time frame for this.
According to the arranging coordinator, Douglas Cook, the exercise allows them to reduce the setting time to less than five minutes. Cook, who had worked on previous break events, understood the details and guided the team. Pictures of the show illustrate what is expected for each setting, with the volunteers assembling the stage in the segment and moving them to the field with the cart. The entrance of Madonna should be trained several times for coordination. Although Cook learned during the game that the New England Patriots were scheduled to get out on the route used by volunteers who brought the stage equipment, he solved the problem by talking to the team.
Set designer Bruce Rodgers, who has worked with Madonna on the World Tour Sink in 2001, is familiar with the singer's work ethic. Rodgers, director Hamish Hamilton and executive producer Ricky Kirshner met several times with the Madonna team, represented by choreographer Jamie King (who presented the initial concept of the show). Rodgers developed a large cross-shaped stage with a central platform accessible by five recessed lifts, bench with a runaway system at the rear, four positions for the band to play, an area for slacklining on one side and ramps at two ends of the intersection. At the front of the stage is a 149Ã,¬ ft (90m m-27m) white cloth, the main screen for Moment Factory projection. The props include a gold leaf throne designed by Jimmie Martin on a barge loaded by 150 gladiators. Rodgers' biggest challenge is getting barges on stage and training the procession.
Rich media and videos
The stage used by multimedia and technology projections is understood by Moment Factory and Cirque du Soleil. After the entrance of Madonna, the ground floor and stage featured the cover of animated magazine Vogue featuring singers. The effect is achieved by projection mapping, which transforms objects (often irregularly shaped) into surfaces for video projection. Although mapping projections have been used to introduce Nokia Lumia and project image of NBA players on the Hudson River in 2011, it has never been used on a large scale. Partner Moment Factory and executive producer Eric Fournier say that since the studio has been associated with technology-dependent shows, preparing and accommodating the Super Bowl requirements is a breeze. When Moment Factory started part-time preparation, Madonna's team had selected songs, and the studio developed visual effects that complemented the song's choreography. According to the creative director of Moment Factory Sakchin Bessette, using video projection is the most efficient method for visual effects, since it requires less moving equipment to the field than any other method. Fournier said, "It all comes from the initial decision to make the show out of it, not just the show, Madonna is a perfectionist, and she wants to do something extraordinary, so that's everyone's goal."
The main concepts of this event include magazine covers shifted, Egyptian-inspired processions, "intergalactic boom" during "Music" and the effect that made "the stage appear to suck grass and lime from the soccer field". Some of the visuals are synchronized with the dancers and the Madonna movement. When the visuals are decided, the Moment Factory and the Cirque du Soleil staff watch the show carefully to customize the background with the choreography. Fournier relies on a team of "disciplines" listed by the NFL and is experienced with video settings, which are 32 HD Barco projectors. The projector is attached to eight pods of four projectors each to cover the entire stadium. The Barco Projector Toolset is used to operate the screen and show the event video. According to Fournier, "On TV there are a lot of close-ups of Madonna and her dancers, but from the audience at the stadium, the show covers 50 yards.This is the idea: that the show, in essence, should go beyond the size of the Stadium." A 10 to 12 people consistently work on the project to create, in essence, two performances: one for them in the stadium and one for TV viewers. Moment Factory coordinates with show producers so that they are well projected on television. Bessette said that the video resolution of the video is very high (almost 18 times the normal high definition) and moving the video file to the right location is the problem: "We have to find a solution that will be spectacular and it will fit within those parameters".
Rodgers uses LMG, Inc. for video, light equipment and audio. LMG, in turn, collaborated with live production company DWP Live event-projected events. According to DWP founder Danny Whetstone, using Barco helps with smooth projection and brightness adjustment: "It's important for us to hang the projector straight down, 151 feet in the air, the lens onto the field, to fill the huge visual area with convergence.. Barco's HD20 has a 20,000-lumen lighting capacity, providing crisp and bright images with high contrast.
​​â € <â €
Lucas Oil Stadium is equipped with Sharpys lighting arrangements from Clay Paky for a halftime show. Al Gurdon's lighting designer from Flare Design asked the PRG console group to help install Sharpys 204 on the main stage. According to Gurdon, Madonna contains the main idea; choreographed shows, centered on the main stage, less logistically challenging than in previous years. However, Gurdon must ensure that the audience can enjoy the show from a distance and that Madonna is well highlighted for the camera. He and the board operator Mike Owen brainstormed in the UK and tried a number of week-long schemes with CAST software. A "clean" approach is taken to prevent interference between video and lighting projection. Gurdon puts Sharpys together in a rectangular area, with 16 to 20 lights on each. It produces strong, compact, and moving light that can be broken down into smaller blocks as needed.
Since the arrangement had to be set in seven minutes, Gurdon developed a rig. He flew the equipment onto the roof of Lucas Oil, attaching it to a height of 175 feet (53.3 m) so that it would not interfere with camera movement during the game. In the first half, it was revealed to ignite the stadium. Golden light is used for the opening sequence, followed by black and white lanterns for "Vogue". Colorful palettes illuminate "Music", and red dominates during "Give Me All Your Luvin '". "Like a Prayer" has a Sharpys golden stream, generating sunlight.
Sennheiser sound equipment is used for audio. According to Matt Napier, Madonna monitor engineer, they use Wireless Systems Manager software from Sennheiser to tweak the frequency. Madonna uses the HSP 4 headset at the start of the show, then switches to the Sennheiser SKM 5200-II handheld transmitter. Sennheiser transmitters are also used by Minaj, M.I.A. and LMFAO, and Green microphones using MD 5235 capsules. Napier said in a Mix article that they needed a gold-plated emitter for Madonna and Green, provided by Sennheiser on the day of the show. Professional Wireless Systems (PWS), a Masque Sound company, is responsible for wireless voice monitoring; in a series of trials, the PWS selects a frequency that removes interference from other systems.
According to LMG Ken Gay video technologist, the lighting, sound, and television teams meet at the Orange County Convention Center to test the settings. They used a simple cloth on the ground to test the projection of the lighting for the stage. Sakchin Bessette has a sample to be used for the projection, which helps LMG in its test. Mark Sanford's team monitored the camera for reflection of the fabric caused by the projection, calculated its effect during the show and adjusted the appropriate camera placement. LMG tested the projection pods used from the ceiling at its Orlando headquarters. Pods are positioned 150 feet (46 m) above ground, using cloth from previous tests. Concerned that the stadium grass will affect the projection, the company uses Heavy Knit Bright White from All Access.
Critical response
The halftime show receives critical acclaim. Marc Schneider of Billboard : "This is the world of Madonna Louise Ciccone, we live in it". Randall Roberts of the Los Angeles Times wrote that although Madonna's choice as a part-time player was the subject of discussion, the singer "challenged no matter to the more conservative red-wing country's wing of a football fanbase" Never caught singing along with one of his songs... and the showdown is a pure spectacle by Cleopatra of the game... Madonna is Madonna for a reason. And we saw it live from Sunday. "Chicago Tribune critic Greg Kot called the show" S & amp; M in Ancient Egypt. "Along with reminding the audience of his older hit, Madonna had" an important job to improve her career... [Singer], however, never did anything except she had something to sell, and with the studio album new to be released in March and a tour to follow, he's got a lot of his to-do list. "Jon Pareles of The New York Times wrote that although the singer was not" tireless "like him, he was" party girl transformed into a regent: a queen on her throne, a queen returning home on the benches, a church singer who leads the choir. "Pareles is called the" adult Madonna ", and writes that she is wearing a suitable show for NFL Peter Robinson from The Guardian called the low-key performance for the singer, despite the large audience.Robinson wrote that the show's budget would "make your average James Cameron effort look like i Homes Under the Hammer ", and called the entrance of Madonna and out of her favorite part of the show.
Ken Tucker from Entertainment Weekly says Madonna presents "happy, unironic, open-minded" performances rather than careful looks. According to Tucker, the singer was in "full command"; although the visuals are less flowing, the song transitions come together "perfect". Neil McCormick of The Daily Telegraph called the show "a tribute to Madonna" and a "shameless" promotion of the singer's return to the music world after directing WE: "The message [of the show ] is that he's back in business, I suspect he's satisfied with global number one over global harmony. " Troy Patterson of Slate writes that Madonna defended the title of "her greatest marketing agent" by performing and praising her costume, self-repeating singer sets and references. Linda Holmes from NPR said, "What's weird, considering how much 'ewww, he's too old' circulating on Twitter, is that everything he does on Sunday night is what should mean for a graceful age." Miriam Coleman of Rolling Stone called the show a "serious spectacle", and Mario Tarradell of The Dallas Morning News called it a "high-concept music video": "Madonna brilliantly manipulates the impact visual and sonic mixtures.The 13-minute show is a marvelous miracle.â € A Huffington Post writer wrote, "Love her or hate her, there is no doubt that only Madonna can bring a certain level of pop talent to the show". Spencer Kornhaber of The Atlantic praised the choreography and cinematography of the show: "That way, so much to see, Madonna remains the center of attention. That is, until the end, when white light and smoke enveloped him. and he goes down the stage, invisible. "According to Joey Guerra of Houston Chronicle, Madonna controls her nerves and she loves the selection of her songs.
Kelly's way of The Washington Post provides various review shows; though it was "revolutionary" after the damage to Janet Jackson's wardrobe, it was "a sad attempt at a comeback". According to Lou Harry of Indianapolis Business Journal, Madonna lacks focus and energy and the audience response is lukewarm. Harry called the show an "awkward celebration," but praised the whole production. Today Elyssa Gardner wrote, "Madonna herself, stylish but not overly provocative in superiors and special skirts that showcased her yoga-like songs, deliver [songs] and others develop with a flickering sense of humor ". David Zurawik of The Baltimore Sun called the show "Madonna's zombie halftime", criticized his choice of song and the whole concept: "[Madonna] acted as though he was almost singing, I say almost, artistic aspirations in star players or production as far as I know, but hey, that's our sad, super-size sack, rough American culture today, it's not and it's perfect for a blank Super Bowl part-time spectacle. "
Commercial impact
Like the previous artist, Madonna was not paid for the show. According to Zack O'Malley Greenburg of Forbes, "Usually, entertainers for the Super Bowl do not get cash payments... This is the kind of exposure their entertainers will be able to perform 20 Leno and Letterman performances and still has not reached that kind of audience. "Greenburg writes that with a 30-second commercial venue generating over $ 3 million, 12 minutes of free television has a total value of $ 84 million for the Madonna company and the singer does not have to pay for accommodation , travel, backup dancers, stage setups, advertisements and publicity: "Given all these benefits, playing a free part-time Super Bowl show is more valuable than a problem, in fact, it's very profitable - and very good for artists who some suspect big changes may happened to the horizon ".
Madonna's appearance is the most watched show of the Super Bowl in history, with 114 million viewers - more than the game itself, which has 111.3 million viewers. According to Nielsen ratings, the show has 47.4 household ratings; among adults 18-49 it has a rating of 41.5, compared with an average of 40.5 games. Reuters notes that half an hour from 9:30 am to 9:58 am ET peaked at a rating of 50.7 households and 72 shares, with 117.7 million viewers. The record was broken by Bruno Mars in 2014 (115 million) and Katy Perry in 2015 (118 million). Madonna set the record for being the top twitter on Twitter (10,245 posts in one second, averaging 8,000 tweets per second for five minutes) and was the most searched term on Google during the show. Cable CEO Mark Ghuneim writes that less than a third of negative tweets, 59% positive and 11% are neutral. According to Billboard, a day after the show, ratings and economic impact are discussed.
The main impact of this event is on Madonna music. Keith Caulfield of Billboard wrote that about 50,000 pre-orders for Madonna's 12th studio album MDNA were placed within three days of availability on the iTunes Store. That week, according to Nielsen SoundScan, "Give Me All Your Luvins '" has 115,000 digital downloads and the singer's catalog of old albums has a 410 percent increase in sales (from 5,000 to 26,000 copies). A week after the Super Bowl, "Give Me All Your Luvin '" had an additional 165,000 digital downloads (44 per cent increase) and other songs sold 166,000 copies combined (up from 94,000 earlier in the week). "Give Me All Your Luvins '" reach number ten on the Billboard Hot 100 singles chart; hit the 38th singer number one, it improved her record as an artist with the top ten singles on the charts. Madonna's album back catalog also increased sales due to discounts and publicity generated by the single and its performances. Billboard estimates that its top-10 digital sales are collectively increasing by more than 1,700 percent. Madonna's best-selling album is a collection of greatest-hits 2009, Celebration, which sold 16,000 copies (up 1.341 percent) and re-entered the Billboard album chart 200. The next week Celebration down 105 points on the chart to 157, with sales down to 4,000 copies. "Give Me All Your Luvins '" fell to number 39 on Hot 100, with sales down 58 percent to 69,000 copies. The show affected slacklining; The New York Times reported, "[Andy Lewis] and his sport never appear in front of an audience as ordered by Madonna in the Super Bowl part-time". According to professional slackliner Frankie Najera, "That's by far the greatest thing that ever happened to the sport".
M.I.A. controversy
M.I.A. extending his middle finger to the camera near the end of his poem in "Give Me All Your Luvins '" rather than singing the word "shit", and the media compared the incident with the damage to Janet Jackson's wardrobe in 2004. According to the People , "Madonna should be the center of attention during the Super Bowl show on Sunday, but the Queen of Pop was defeated by her MIA collaborator, who reversed the camera at one point during the show, prompting an apology fast from the NFL and NBC. "Madonna expressed her disappointment in an interview with host Ryan Seacrest on her talk show On Air with Ryan Seacrest. He said that it was "teenagers... irrelevant stuff" to M.I.A. to do, and "out of place" on the show: "I'm really surprised I do not know anything about it I'm not happy about that I understand that punk rock and everything, but for me there is a feeling of love and energy as well as a good positivity, it looks negative. "
According to NFL spokesperson Brian McCarthy, "Our system is late to obscure inappropriate gestures and we apologize to our viewers.NFL hired talent and produced a part-time show There was a failure in the NBC postponement system. inappropriate, very disappointing, and we apologize to our fans ". McCarthy said that the movement was not done during practice, and M.I.A. improvised on stage. The Federal Communications Commission received 222 complaints about the rapper's movement, and Rolling Stone reported that the commission may "punish" the NFL and NBC despite their apologies. Any fines imposed on the NFL will be charged to M.I.A., as the rapper has signed a contract to compensate the league against FCC penalties. A year later, it was reported that the NFL had filed a $ 1.5 million arbitration claim against M.I.A. to "breach his contract and ignore strikingly for the values ​​that form the cornerstone of the NFL and Super Bowl brands". His lawyer Howard King filed a counter-claim calling the NFL's action "funny in the light of the weekly felonies performed by its stars". M.I.A. asking fans for help in documenting unloved acts by the NFL to refute league claims for damage to their reputation.
In September 2013, M.I.A. released a video statement about the lawsuit. The rapper said, "They basically say that it's okay for me to promote sexually exploited as a woman, rather than to show empowerment, women's empowerment, through punk rock, that's the point, and I'm being sued for it." In March 2014, Rolling Stone reported that the NFL had added $ 15 million to arbitration claims for a total of $ 16.6 million. M.I.A. said on Twitter that the NFL wants a portion of its revenue, which has no "legal, fact, or logical basis", and blames NBC for "negligence" in not obscuring gestures during live broadcasts. M.I.A. tweeted Madonna with a request to borrow $ 16 million, then deleted the tweet. In August 2014, ESPN reported that the NFL had reached a secret agreement with M.I.A. Neither Howard King nor NFL lawyers provide more details.
Set list
- "Vogue"
- "Music" (featuring LMFAO, containing elements "Party Rock Anthem" and "Sexy and I Know It")
- "Give Me All Your Luvin '" (featuring Nicki Minaj and M.I.A.)
- "Open Your Heart/Decide Yourself"
- "Like a Prayer" (featuring CeeLo Green and a choir of 200 local Indianapolis singers)
The source for the set list that was performed on the show.
Personnel
Credit and personnel are adapted from the replay of the name of the halftime show.
References
External links
- Super Bowl XLVI part-time event on IMDb
- NFL Halftime Show, Madonna, Moment Factory, Project Image
- The Canadians Who Helped Madonna Rock The Super Bowl The Globe and Mail
Source of the article : Wikipedia
0 Comments